Welcome to
Twenty years, ten editions
Twenty years after the first biennale, the International Modern Teapot Art Biennale returns for its tenth edition, in Wuxi, the city that is home to Yixing and its zisha clay.
More than 40 artists from more than 15 countries bring their teapots to the 2026 Biennale. Some of the works on show pour tea; others only suggest it. Together they ask what this familiar vessel can still say about the people, places and times that shape it.
Every work was selected by an international jury of 5 ceramic artists, chaired by Ge Jun, master of Chinese ceramic art.
The jury
Five ceramic artists from four continents selected the works shown at the tenth biennale.
Chairman
Ge Jun
China
BiographyJuror
Mami Kato
Japan
BiographyJuror
Karen Gunderman
U.S.A.
BiographyJuror
Christopher Davis-Benavides
Peru / U.S.A.
BiographyJuror
Mirta Morigi
Italy
Biography
Ge Jun
Credentials
- Doctor · Professor
- China Arts and Crafts Master
- China Ceramic Art Master
- China Ceramic Design Art Master
- China Arts and Crafts Industry Art Master
- Member, China Artists Association
- Researcher, Chinese National Academy of Arts
- Expert with outstanding contributions to China's ceramic science and technology
- Director, Zisha Culture Research Center, China Ceramic Culture Research Institute
- Internationally renowned master of ceramic culture and art, recognised by UNESCO
Chinese ceramic artist
For more than thirty years Ge Jun has devoted himself to the research, development and design of Yixing zisha clay. His original colour-decoration technique (色饰法) carried zisha art from tradition into a contemporary language.
His commissions range from the zisha door surround “Abundant Harvest” for the Great Hall of the People to teapots marking the Beijing 2008 Olympic Games and successive national anniversaries. His work has taken more than forty national gold awards and over four hundred design patents, and is held by the Palace Museum, the National Art Museum of China and the Ziguang Pavilion at Zhongnanhai. He lectures and supervises graduate students at universities in China and abroad.
Mami Kato
Credentials
- Member, Mino Ceramic Association
- Member, Japan Ceramic Association
- Two-time Grand Prix winner, Mino Tea Bowl Exhibition
Japanese ceramic artist
Mami Kato studied the fundamentals of ceramics at the Tokoname Municipal Ceramic Art Institute. She first made practical ceramics rooted in tradition, and later developed her work into abstract expression in the form of vessels.
Her original glazes and singular worldview have brought her work into museum collections in Japan and abroad. She has twice taken the Grand Prix at the Mino Tea Bowl Exhibition — a distinction no other woman has achieved — and teaches, exchanges and leads workshops internationally.
Karen Gunderman
Credentials
- Professor Emerita, University of Wisconsin–Milwaukee
- Taught art and design at university level in Wisconsin, Ohio and Michigan
- Studio practice in Milwaukee, Wisconsin, United States
Ceramic artist and painter
Karen Gunderman is an artist living and working in Milwaukee, Wisconsin. After a long career teaching art and design at university level in Wisconsin, Ohio and Michigan, she is now a full-time studio artist.
Her work in ceramics and painting draws on her experience of the natural world: form, colour, texture and design. She has exhibited widely at international level in China, Korea, Hungary, Croatia, Slovenia, Portugal, Spain, Peru and the United States.
Mirta Morigi
Credentials
- La Bottega Morigi, historic centre of Faenza
- Member, International Academy of Ceramics (IAC), Geneva, since 2011
- Work held in public and private collections worldwide
Italian ceramic artist
Mirta Morigi works from La Bottega Morigi, in the historic centre of Faenza. Modelled on the Renaissance workshop, it has become a place of meeting and exchange, open to artists, architects and designers.
Her ceramics are pop and unmistakable, their glazes dense and vibrant; her sculptural forms draw on a naturalistic bestiary of lizards, chameleons and tree frogs that become handles and grips. She has taken part in exchanges in ceramic cities from Australia to China, Korea, Japan and India, and has been a member of the International Academy of Ceramics (IAC) in Geneva since 2011.
The venue
Wuxi
Jiangsu Province, China
31.57° N · 120.30° E
Wuxi lies on the northern shore of Lake Tai. Yixing, part of Wuxi on the lake's western shore, is where zisha clay has been dug and shaped into teapots for centuries.
For the tenth edition, the biennale brings the modern teapot back to the place its most famous ancestors came from.
- City
- Wuxi, Jiangsu, China
- Venue
- Dangkou Ancient Town
- Dates
- 18–23 November 2026
The artists
More than 40 artists from more than 15 countries. Select a portrait to see the artist and the work they present.
Curator’s foreword
Twenty years ago, the International Modern Teapot Art Biennale began with a simple belief: art grows through dialogue, and culture flourishes through mutual understanding.
Since then, the biennale has brought together ceramic artists from different countries and traditions, creating a space for exchange, friendship, collaboration and artistic discovery. Across borders and cultures, the teapot has become more than an object: it has become a vessel for connection.
The 10th International Modern Teapot Art Biennale marks both a celebration of this journey and the beginning of a new chapter.
Under the theme “Connecting the world through clay”, this edition explores the contemporary teapot as a bridge between tradition and innovation, art and everyday life, East and West, and the present and the future.
Guided by the values of openness, inclusiveness, collaboration and sharing, we remain committed to building a vibrant and sustainable international platform for ceramic culture.
We warmly welcome artists, scholars, museums, institutions, collectors and all those who share a passion for ceramic art to join us, connecting through creativity and shaping the future together.
Anna Zhang
Curator, International Modern Teapot Art BiennaleFounder, International Ceramic Culture Platform






































































































































































































